The Khalifa was delighted to such limit with the recitation, that the poet was rewarded with a bagful of gold coins. It is also stated that in the eleventh century, a Sindhi poet was invited by the Khalifa to come and narrate the Mahabharata in his sabha (king's court). Specific references to Sindhi literature of the bygone days virtually lie dissipated in legends and commonplace impressions.

A cavernous emptiness of nearly two centuries is a phenomenon of stunning wonder, which as yet remains incomprehensible to the historians, till Shah Abdul Karim Bulri-a-varo, deemed the 'rising star' of the Sindhi literary horizon, came to prominence during the 17th century.

Yet other pieces of information after significant research suggest that the most ancient record of writings of literary excellence can be traced to the fifteenth century, in the form of seven couplets conceived to have been authored by a sage recognised as Mamoi-a-jo-Fakir. Their works have mostly been produced in Arabic, Persian (governing language during that time) and Sindhi languages (language spoken by local people).ДЄrriving second in line to the earliest records in Sindhi literature after Pir Nooruddin, can be established in the heroic ballads of Shah Abdul Karim (1538-1625). The great scholars among them who had earned towering esteem and honour even in the Muslim centres of Mecca and Medina were: Makhdoom Abdul Hasan, Makhdoom Ziauddin, Makhdoom Muhammad Hashim Thattavi and Makhdoom Muhammad Muin Thattavi (the one from Thatta). Many centres of studying and instructing (Madrasas in Thatta, a historic town of 22,000 inhabitants in the Sindh province of Pakistan) had prospered during the tenth to fifteenth centuries, where illustrious and eminent scholars of Sindh used to impart teachings on religion, philosophy and rhetoric. He indeed had tailored the old script of Sindhi language, which was universally employed by the luhana caste of Hindus of Sindh, who had espoused Islam under his teaching and were referred to by him as Khuwajas or Khojas.Д«hagu Bhan, Sumang Charan, Shah Abdul Karim, Shah Inayat and other poets galore from this period have enriched Sindhi literature with their priceless mystic, romantic and epic poetical collections. Pir Sadruddin had contributed to framing the 'ginans' in Punjabi, Seraiki, Hindi and Gujarati languages. He had composed his verses (also known as ginans) in Lari and Katchi dialects of Sindhi. Pir Sadruddin (1290-1409 A.D.), was a magnanimous and revered poet, saint and Sufi of his era. In fact, a few verses composed by Baba Farid Ganj Shakar, in Sindhi language can also be evidenced from those ancient times. His verses are, therefore, nearly saturated with mysticism and religious isms.ДЄfter Pir Nooruddin, Pir Shams Sabzwari Multani, Pir Shahabuddin and Pir Sadruddin have been gratefully acknowledged as poets of Sindhi literature. Pir Nooruddin was at one single point of time, a Sufi and a preacher of Islam, serving passionately to Sindhi literature. His poetry serves as a fascinating record of the language, which was spoken in an all-encompassing during that time. Pir Nooruddin had arrived to Sindh during the year 1079 A.D. His verses, acknowledged as ginans, are generally accepted as the specimens of early Sindhi poetry. Shortly after, Pir Nooruddin, an Ismaili Missionary, began to pen Sufi poetry in Sindhi language. It has also been chronicled that treatises were penned in Sindhi on intelligent subjects like astronomy, medicine and history, during the eighth and ninth centuries. Evidence also exists of Sindhi poets reciting their verses in front of the Muslim Khalifahs (Caliphs) in Baghdad. It has been evidenced that Sindhi was the first and the earliest language of East, wherein the Quran was rendered a fresh interpretation in the eighth or ninth century A.D. The most olden reference to Sindhi literature is incorporated in the writings of Arab historians. Sindhi literature is always considered rich and also generally looked at as one of the world's oldest. Its writers have contributed exhaustively to umpteen forms of literature, both in poetry and prose. Sindhi language is thus both ancient and enriched in literature. Yet, the limit of these wonders and unknown identities, not restricted to any domain is still retained within the brilliant Sindhi literature that is presently produced both from India and Pakistan. The prehistoric province of Sindh, which is still considered the epitome of mysterious religious practices, the land of Arabia, their exotic dresses, their culinary geniuses, the unified existence of both the Hindus and Muslims, were however shattered to pieces of shard glasses, after the 1947 Partition of India and Pakistan.